Ode on a Grecian Urn-Dickinson

This Ode to Grecian war is one more step and talk about to die for your beleives. A new paradox arises in these lines because these immortal lovers are experiencing a living death. To overcome this paradox of merged life and death, the poem shifts to a new scene with a new perspective. The fourth stanza opens with the sacrifice of a virgin cow.

Who are these coming to the sacrifice?
To what green altar, O mysterious priest,
Lead'st thou that heifer lowing at the skies,
And all her silken flanks with garlands drest?
What little town by river or sea shore,
Or mountain-built with peaceful citadel,
Is emptied of this folk, this pious morn?
And, little town, thy streets for evermore
Will silent be; and not a soul to tell
Why thou art desolate, can e'er return.

The two contradictory responses found in the first and second scenes of "Ode on a Grecian Urn" are inadequate for completely describing art, because Keats believed that art should not provide history or ideals. Instead, both are replaced with a philosophical tone that dominates the meditation on art. The sensual aspects are replaced with an emphasis on the spiritual aspects, and the last scene describes a world contained unto itself and on an urn. The questions the narrator asks reveal a yearning to understand the scene, but the urn is too limited to allow such answers. This conclusion on art is both satisfying, in that it allows the audience to actually connect with the art. In the opening line, he refers to the urn as a "bride of quietness", which serves to contrast the urn with the structure of the ode, a type of poem originally intended to be sung. Another paradox arises when the narrator describes immortals on the side of an urn meant to carry the ashes of the dead
These two peoms talk about beaty Dickinson and Keats. But Keats talk about to die for your ideas.